Review
Underwhelming and desperate: This much-loved kids’ yarn deserves better
Harold and the Purple Crayon has been adapted for live action for the first time.
- by Jake Wilson
Latest
James McAvoy buzzes with manic energy in this clever horror
Horror remake Speak No Evil is a clever but nauseating frightener about the consequences of remaining silent in the face of rampant domestic abuse.
- by Sandra Hall
Boxing drama Kid Snow is the kind of Australian film we used to make
Forget about political correctness, director Paul Goldman and the film’s writers have no desire to give us a revisionist version of the past.
- by Sandra Hall
Almost everything in this film will divide audiences – that’s why it’s great
Last Summer suggests that when desire takes hold, morality flies out the window.
- by Jake Wilson
★★★★
For subscribers
Inspired, witty and full of warmth, June Squibb’s Thelma steals the show
Writer-director Josh Margolin has a deft and tender touch when it comes to the tricky relationship between farce and poignancy.
- by Sandra Hall
★★★½
What to watch
Beetlejuice Beetlejuice offers a heartwarming story about grief
Winona Ryder and Michael Keaton reunite for the long-delayed sequel that never allows schmaltz to overtake the morbid gags.
- by Jake Wilson
★★★½
For subscribers
The kids are not all right in American Pie director’s classic horror thriller
Chris Weitz was part of the team behind the raunchy 1990s comedy, but his new film Afraid proves how times have changed.
- by Jake Wilson
★★½
Movies
This remake of cult-classic The Crow is surprisingly not a total disaster
The screenwriters of the latest Crow film haven’t retained too much from previous versions of the material beyond the title and the basic premise.
- by Jake Wilson
★★★½
For subscribers
Hot studio A24’s latest hyped horror is short on gore, long on vibes
I Saw the TV Glow is closer in spirit to angsty tone poems such as The Virgin Suicides and Moonlight than to anything meant to be scary.
- by Jake Wilson
Trailer for Francis Ford Coppola’s new film pulled over fake bad reviews
The trailer for Francis Ford Coppola’s self-funded $120 million epic Megalopolis has been pulled. Is it standard chaos or something more?
- by Karl Quinn
★
What’s on
This film should have left me in tears. My eyes were bone dry
The problems with the real-life inspired drama Take My Hand are many, and evident from the outset.
- by Jake Wilson