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Review

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Now this is how you put on a production of Hamlet

Now this is how you put on a production of Hamlet

Director Iain Sinclair has assembled an absolute dream team for this production – and it’s one of the biggest bargains in Melbourne theatre right now.

  • by Cameron Woodhead, Kate Jones, Tony Way and Michael Dwyer

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Helen Garner says this is the best thing she’s written. But does it work as an opera?

Helen Garner says this is the best thing she’s written. But does it work as an opera?

With a theme leaning so heavily on music, it’s not a surprise The Children’s Bach was adapted into an opera – but does it keep its magic when taken off the page?

  • by Vyshnavee Wijekumar, Bridget Davies, Andrew Fuhrmann, Tony Way, Jessica Nicholas and Barney Zwartz
This horsey fantasy is clever, funny, irreverent - and also utterly bonkers
★★★½
Arts

This horsey fantasy is clever, funny, irreverent - and also utterly bonkers

Our reviewers cast a critical eye over the latest shows around town.

  • by Chantal Nguyen, Penry Buckley, Frances Howe, Peter McCallum and Harriet Cunningham
Everybody’s talking about ‘grace’. This is how it looks in action

Everybody’s talking about ‘grace’. This is how it looks in action

Directed by Bert LaBonte in his mainstage directorial debut, the Pulitzer Prize-winning Topdog/Underdog at Melbourne Theatre Company is utterly transfixing.

  • by Cameron Woodhead, Andrew Fuhrmann, Gemma Grant, Giselle Au-Nhien Nguyen and Tony Way
If you hate Henry VIII then this is the musical for you

If you hate Henry VIII then this is the musical for you

It would appear that & Juliet has been pipped at the post by Six the Musical for the poppiest show ever inspired by the 16th century.

  • by Cameron Woodhead, Vyshnavee Wijekumar, Andrew Fuhrmann, Bridget Davies and Barney Zwartz
Any fan of Oscar Wilde should enjoy this salacious twist on his masterpiece

Any fan of Oscar Wilde should enjoy this salacious twist on his masterpiece

This take on The Importance of Being Earnest isn’t just terrific fun, it’s tethered to a deep appreciation of the interplay between Wilde’s biography and his art.

  • by Cameron Woodhead, Jessica Nicholas and Andrew Fuhrmann
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Charming, awkward: This pop star’s joy is infectious

Charming, awkward: This pop star’s joy is infectious

Girl In Red made her Australian debut in 2023 – and this year returns to play a venue seven times the size.

  • by Giselle Au-Nhien Nguyen, Cameron Woodhead, Tony Way and Sonia Nair
Eloquent and beguiling: Operatic Hamlet is a triumph
★★★★★
Sydney live reviews

Eloquent and beguiling: Operatic Hamlet is a triumph

Our critics deliver verdicts on the latest shows around town.

  • by Millie Muroi, Cassie Tongue, Shamim Razavi, Harriet Cunningham and John Shand
Tenacious D's Newcastle show cancelled as fans queue outside venue
0:52

Tenacious D's Newcastle show cancelled as fans queue outside venue

The show was called off without explanation the day after Kyle Gass made a ‘Don’t miss Trump’ comment at the Sydney show. CREDIT: CROWSAVER (TIKTOK)

Lady Macbeth deserves a better fate. Does this play offer that chance?

Lady Macbeth deserves a better fate. Does this play offer that chance?

Horrors both supernatural and human abound in this creative and provocative re-working of The Scottish Play.

  • by Cameron Woodhead, Barney Zwartz, Andrew Fuhrmann, Vyshnavee Wijekumar, Michael Dwyer, Jessica Nicholas and Tony Way
Missy Higgins review: Quips, raw emotion and an immaculate album run-through

Missy Higgins review: Quips, raw emotion and an immaculate album run-through

The Melbourne singer-songwriter gave two concerts for the price of one.

  • by James Jennings